Polynesian Dance Terms

A big thank you to: Kalani N. Poʻomaiahealani for researching and providing the following

 

1. ʻAi: dancing style or type

 

2. ʻAi ʻami: type of haʻa with little foot movement, hips revolve throughout the dance

 

3. ʻAi haʻa: hula step executed with bended knee

 

4. ʻAi kāwele, Kāwele: haʻa step; one foot makes a half circle forward and to the side without touching the floor; usually in combination with other steps as the holo or ʻuwehe; used in "A Koʻolau Au"

 

5. ʻAmi: rotation of hips in a circle

 

6. ʻAmiʻami, ʻAmi hula: jerking motion of the hips back and forth in a crude or vulgar manner

 

7. ʻʻAmi kāhela, ʻAmi poepoe: hip rotates with the weight on the right hip as the left heel lifts very slightly, then reversing this action

 

8. ʻAmi kūkū: like the ʻami kāhela except the revolutions are smaller, faster and in groups of three; sometimes combined with two slower kāhele revolutions

 

9. ʻAmi kuʻupau (uninhibited), ʻAmi honua, ʻAmi hue: rapid revolution of the hips in the haʻa; an uninhibited ʻami, like in a Tahitian dance

 

10. ʻAmi ʻôniu (spinning): figure-eight haʻa step; the revolving hips (ʻami) form an "8" with the weight shifting

 

11. ʻAmi ʻōpū (stomach): ʻami haʻa step with the abdomen thrust forward, considered in poor taste

 

12. ʻAui: haʻa step where the dancer turns to the side and points the foot out once or several times, drawing the foot well back between each pointing; at the same time the body is tipped with the lowered hand pointing to the outpointing toes and the other hand raised in the opposite direction. In the hula "Kaulilua", this step is immediately executed upon the kahea "pa"

 

13. Hela: one foot is placed at about a 45 degree angle to the front/side with the weight on the opposite hip and the knees bent; the foot is then returned to the original position and the step is repeated with the other foot.

 

14. Holo: running holo step to the side, similar to kaholo except the feet are not necessarily brought together. Used in "Aua Ia I Kamapuaʻa"

 

15. Hue: revolving of the hips in time with the drummer, who beats as fast as possible, to see which dancer can dance the longest. Similar to ʻai ʻami and done at the end of the program

 

16. Kaʻapuni: haʻa step now called around the island; the dancer pivots on the ball of one foot in a complete circle; the other foot takes four or more steps to complete the circuit

 

17. Kāhele: Regular ʻami rotations. See ʻAmi kuku, Keʻehi #8

 

18. Kāholo: the haʻa vamp step, more common in modern than in ancient dances, consisting of 4 counts:#1 one foot is extended in a straight line to the side#2 the other foot is brought along side#3 first foot is again extended in a straight line to the side#4 the other foot is again brought along side the first foot

 

19. Kāwelu, Kalākaua: One foot taps time with the heel, the toes being stationary while the other foot, flat position, steps forward and back, the same distance, 2 or more times. The step is repeated, reversing the feet. This step is called Kalakaua in English because it was used to begin the haʻa hula dedicated to King David Kalākaua. Some halaus use the term kalākaua when this step is done in place to differentiate from kāwelu as the same step (front and back) that moves progressively to either side

 

20. Kelamoku: hula step invented by Hawaiian sailors. One foot swings alternately on ball and heel of same foot while the other points the toes front and back four times, then reversed; knees are bent, arms out, bent at the elbows, with the hands held up and fingers often snapping while swaying the body

 

21. Kîʻi, Wāewae Kîʻi: right foot points to the side (3:00), front (1:00), back into position with the left foot. Left foot repeats the same movements, side (9:00), front (11:00), back into position, on the opposite side. Some halaus incorporate an ʻuwehe when the 2 feet are back in the same position. This step is often used at the end of Olapa/Alaʻapapa dances. Legend says Hiʻiaka-i-ka-poli-o-Pele and Hopoe danced the hula on Puʻu Kiʻi, an islet at Ka-pueo-kahi harbor of Hana, Maui. It is said that this step was first danced here.

 

22. Lele: the dancer walks forward lifting the heel with each step, with a slight inward movement

 

23. Lele ʻUwehe: the ʻuwehe and lele steps are combined. Step with right foot, bringing the left foot to a hela position, bring left foot back into position beside right foot, then ʻuwehe. Repeat on other side

 

24. ʻO: The hip is thrust outward in a circular "O" movement; similar to the kawelu except the foot pivots while turning to the opposite direction

 

25. Ue, Uwe: haʻa step where the kahea: "e" imperative and "ue" is announced to the drummer and the beat is changed. The dancer extends the right foot forward with toes pointed, while both arms are brought forward to chest level with hands crossed and fingers tipped upward; the left hand stays up, while the right arm and foot swing back in an outward arc, ending with right foot pointing back. The right arm and foot are moved forward and the step is repeated to the left. Then three short steps are taken forward turning the body to the right. In the last movement, the left hand is forward and the right foot and arm are back. This step is often used to end pahu hula, i.e."Kaulilua"

 

26. ʻUlili: similar to ʻuwehe except only one heel at a time is raised.

 

27. ʻUwehe, ʻuehe, ʻuweke: one foot is lifted with weight shifting to the opposite hip as that foot is "Uehe" lowered; both knees are then pushed forward by the quick raising of the heels, with continued swaying of the hips from side to side. The actions are then repeated in reverse. Step Names Not Found In the Dictionary The names of the following steps were probably derived from their actions. Each step is described and defined 27. 'Ai holoholo: same as #14 holo

 

28. Akalewa: sway the hips from one side to the otherDefinition: to sway the hips daintily and gracefully

 

29. Haʻanapu: sway the hips from side to sideDefinition: to sway as in a dance

 

30. Hehi: on the countDefinition: to stamp, tread, trample, step on, trampling #1 stamp the right foot while raising the left knee to slightly below the hip#2 stamp the heel of the same foot leaving the left knee raised#3 stamp the left foot while raising the right knee to slightly below the hip#4 stamp the heel of the same foot leaving the right knee raised

 

31. Kuʻi: hop onto the right foot moving to the right while bringing the left heel with the toes pointing to the extreme left, approximately 6" in front of the right knee being sure that the body doesn't bounce (isolate action to the legs). The hop is executed 4 times then repeated to the left. Note: a loud stomping sound is preferred when executing the hopsDefinition: 1. To pound, punch, strike; to beat out; to churn, 2.To join, stitch, sew, splice, united; joined; seam Hula kuʻi, any interpretive hula so called since the days of Kalakaua; literally, joined

 

32. Kuʻi Molokaʻi: similar to the kʻui except while hopping to the right as in the kuʻi, the left leg is thrust outward to the left, fully extended. After the 4th count to the right, repeat the movements to the left. Emphasize the stomping soundDefinition Molokaʻi: this dance (see hula kuʻi Molokaʻi) originated on the island of Molokaʻi

 

33. Hilo Kuʻi: start by lightly touching the ground with the right foot in an alternating heel-toe movement. Starting with the heel and ending with the heel in 7 counts, with the foot returning to the starting posiion on the 8th count. When placing the heel, the toes need to be pointing to the right at a 45' angle. When placing the toes, the foot should be perpendicular to the ground with the heels now taking the extreme right position. All the while, the opposite foot bearing the entire body weight shuffles across the floor to the right, alternating heel and toes, also in an 8 count. However, on the 1st count, the left foot remains stationary and begins the shuffle on the 2nd count with the heel moving to the right first. The shuffle is accomplished by placing all the weight of the body onto the ball of the left foot as the heel is moved to the right, then transferring the weight to the heel as the ball of the left foot is then moved the right. This movement is repeated until the right foot is returned to the starting positon on the 8th count. The entire process is now repeated in the opposite directionDefinition Hilo: to twist, braid, spin; twisted, braided

 

34. Kaholo Huli Hapahā: Quarter turn or holo/vamp step in a semi-circle. The name was coined by Kalani Poʻomaiahelani

 

35. Kiʻi Kuhi: To make time; keeping haʻa gestures with left hand gestures front and back; right hand taps ʻuliʻuli on lap Step Names with Unknown Origin

 

36. Hoʻoholo, Glide, Slide: kaholo hula step in excess of 2 counts; usually 3 or 4 counts

 

37. Kao: this step name is widely used but there is no origin for its usage or meaning for the wordUsage: sway side to side

 

38. Uleipahu: on the count of:#1 strike the ball of the right foot firmly on the floor#2 strike the heel of the same foot#3 strike the ball of the left foot firmly on the floor#4 strike the heel of the same foot Usage: may have come from the chant "Uleipahu I Ka Motu"

 

OPENING HOURS

Community Center of LCF

Beginners: TUESDAY'S 5:45pm - 6:45pm

Intermediate: WEDNESDAY'S-12:15pm - 1:15pm

 

 All Levels: "SIT FIT" 

Seated Fitness for rehab 

Thursday 10:30am-11:15am

 

 

Sierra Madre Senior Center

Beginners: Tuesday's 10am - 11am

 

 

 

 

 

 

 

ADDRESS

Community Center of LCF

4469 Chevy Chase Drive

La Canada Flintridge, CA 91011
alohaallure@gmail.com

818.790.4353 

instructor: Barbara

 

Sierra Madre Sr. Center

222 Sierra Madre Blvd,

Sierra Madre, CA 91024

626.355.7394

​instructor: Barbara

 

Hemet

Private Individual or group lessons
Hemet, CA 92543
Call 818.439.8049 

instructor: Kathy

 

 

 

 

google-site-verification: google234d1edcfc3368e7.html

FIND​ US

  • https://plus.google.com/117167403531
  • Twitter Square
  • facebook-square